Our online meetings take place one or twice a year and focus on presentations by member institutions' teachers and students. Each institution will present for 30 minutes, leaving 15 minutes for discussion and 15 minutes for a break and/or technical issues.

Big Blue Button Link for participation: https://webconf.hfmdk-frankfurt.de/b/fin-pip-rgp-egr

Backup zoom link (should main platform fail): https://folkwang-uni-de.zoom-x.de/j/65014956887?pwd=440uR726D7bCLEUqqRhhtinjLCbeva.1 (Meeting-ID: 650 1495 6887, Password: @0a^i@*ikJ

All times are Central European Time (CET) zone, which is UTC+1 (Berlin, Paris, etc.)

anemone meetup 2 (online)

September 19th 2026, 11am-1pm + 2pm-4pm

11:00 Zurich

• Germán Toro Pérez: Introduction to electronic composition at the Zürcher Hochschule der Künste
• Luc Gut: OSZILOT - Pendulums, Objects, Sensors
• Christoph Brünggel: Turbulent Currents

12:00 Lübeck

• Nicola Leonard Hein / Kris Kuldkepp / Eduardo Loria: Introduction to Sound Arts and Creative Music Technology (SACMT) at Musikhochschule Lübeck
• Grigorii Osipov (MA Sound Arts and Creative Music Technology): Delusional State - A live-electronic approach to percussion
• Goeun Kim (MA Sound Arts and Creative Music Technology): Fluid Assemblages (2026) - Embodied Audiovisual Expression
• Ilia Viazov (MA Sound Arts and Creative Music Technology): Coding, hardware, and extensions.

14:00 ICEM (Folkwang University of the Arts, Essen)

• Michael Edwards: Introduction to ICEM and Electronic Composition within the Integrative Composition programmes
• Fabian Bentrum and Ruben Philipp (BMus Integrative Composition): the prospect of its own undoing: collaborative processes in multimedia composition
• Mylène Kroon (BMus Integrative Composition): Composing for two violas, voice and electronics.
• Ilya Perov (BMus Integrative Composition): "Ne Menge Flächen", inbetween the texture and rhythm - what I have NOT done in the piece

15:00 Discussion

"What’s the state of the art of 'electronic composition'? Is it still or was it ever a genre? Furthermore, what is the role of higher education institutions in the development of electronic music and how is access organised, particularly after finishing studies?

anemone meetup 1 (online)

February 14th 2026, 11am-1pm + 2pm-4pm

11:00 Frankfurt

• Orm Finnendahl: Short introduction to Clamps
• Clemens Wolf: The Papierrohrorgel

12:00 Strasbourg : Electroacoustic and real time composition

Information and audio-visual excerpts

• Tom Mays: Electroacoustic and real time composition: brief introduction to the program
• Alonso Huerta (Licence (DNSPM) 3rd year): D3 Max : A digital alternative to the original ondes Martenot diffuseurs using resonant model analysis within the MAX environment
• Ulysse Gohin (Specialization post Master visual arts): Revealing micro-sounds hidden in discarded technology and architecture
• Eda Er (PhD Candidate, Music Composition & New Media, University of California – Berkeley, Visiting Doctoral Researcher in Strasbourg): Anthem for Personal Interruptions: Voice, Electronics, and Presence

14:00 Mixed Media in Istanbul: MIAM Composers in the Studio

• Manolis Ekmektsoglou
• Sabina Khujaeva Abay - Link to work
• Canberk Dağtekin - Link to work

15:00 De Montfort

• Bret Battey: Music Technology at DMU: Teaching, Learning, Research See PDF of Presentation
• Harley Broadbent (Year 3, BA Music Technology): A Journey in DMU's BA Music Technology
• Connor Snape (BA graduate and now in the MA by Research programme): Navigating the Oddverse: IDM Worldbuilding through Interactive Media see PDF of Presentation
• Cristiana Palandri (PhD Research Student, co-supervision with University of Birmingham): Sculpture as Spatial Sound Interface in Mixed Electroacoustic Music see PDF of presentation